The Stanley Clarke Signature Acoustic Preamp is a 2-channel preamp, built exclusively with premium components. It is engineered and designed by EBS together with the legendary bass player and composer Stanley Clarke.
"THE EBS STANLEY CLARKE SIGNATURE ACOUSTIC PREAMP. AMPLIFYING AN ACOUSTIC INSTRUMENT - LIKE AN UPRIGHT BASS - IS CHALLENGING. WITH SUPERIOR SOUND QUALITY, POWERFUL FILTERS, AND ESSENTIAL FEATURES, THIS PEDAL IS THE PERFECT TOOL TO DEAL WITH ALL THESE CHALLENGES."
The EBS MicroBass3 is a2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs.
"THE EBS MICROBASS3.WE’VE ALL BEEN THERE. BEING FORCED BY CIRCUMSTANCES TO RELY ON SOMEONE ELSE'S GEAR AND LEFT WITH THAT UNEASY FEELING IT COULD TURN INTO A DISASTER. WITH THE NEW EBS MICROBASS 3, YOU CAN LET GO OF THAT FEELING AND BE CONFIDENT YOU’LL HAVE YOUR SOUND NO MATTER THE SITUATION."
The EBS ValveDrive DItube preamp/overdrive pedal can make your bass either glow or growl, whether you want your instrument to sing or scream. The EBS Valve Drive DI delivers everything, from classic tube warmth to hard and pure tube distortion. It is a classic concept with an easy dial-in design.
"THE EBS VALVEDRIVE DIOFFERS THE POSSIBILITY FOR CLASSIC AND TRADITIONAL WARM TUBE SOUNDS UP TO HARD AND PURE TUBE DISTORTION."
The DynaVerb Limited Spring Edition is a stereo reverb pedal for professional use. With three new reverb effects ofReversed,Gated, andSpring-type, and threeHalland threeRoomreverbs this versatile pedal is designed for bass players who want to expand their sound options.
The new DynaVerb is created for bass but can enhance any instrument from guitar to keyboard and even vocals with its studio-quality sound in full range.
"THE EBS DYNAVERB LIMITED SPRING EDITIONSIMULATES THE NATURAL REVERBERATION IN DIFFERENT KINDS OF ACOUSTICAL SPACES, FROM BIG CONCERT HALLS TO SMALLER ROOMS, AS WELL SOME CLASSIC REVERB EFFECTS SUCH AS REVERSED, GATED AND SPRING-TYPE REVERB. BY ADDING REVERB TO YOUR SOUND, YOU CAN CREATE A SENSE OF DEPTH AND SPACE THAT CAN MAKE YOUR PLAYING MORE EXPRESSIVE AND IMMERSIVE."
The EBS UniChorus Studio Edition is an advanced low-noise studio-quality effect to craft your sound. Topnotch analog processing circuitry provides a smooth, warm tone that caters well to live and recording performances. With mix level control under the hood, you can determine how much or little the effect blends with your original signal.
"THE EBS UNICHORUS STUDIO EDITION REV2STEREO EFFECT PEDAL CAN BE A VALUABLE ADDITION TO YOUR BASS RIG, OFFERING A RANGE OF BENEFITS THAT CAN ENHANCE YOUR SOUND AND PERFORMANCE."
EBS Billy Sheehan Ultimate Signature Drive = EJ i Lager
Since the pedal splits the signal into two parallel paths – onecleanand one withdistortion– it becomes as if running the sound through two different bass rigs at the same time. The twoCleanandDriveLevelcontrols decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.
"EBS BILLY SHEEHAN ULTIMATE SIGNATURE DRIVE.IF YOU EVER WANTED A SETUP WHERE YOU CAN BLEND A CLEAN BASS RIG WITH A DISTORTED, BUT CAN’T AFFORD TO HAVE TWO RIGS. THIS IS THE ULTIMATE SOLUTION FOR YOU!"
“This pedal is a distillate of several important principles in thesignal chain for bass. Compression, distortion, tone-shaping and blending all together.” -Billy Sheehan
The Driveis a really useful tool. Whether you need your amp to come alive, to increase the overall volume for a solo or just a subtle nice overdrive,The Drivemakes all the difference. It will add richness and nice harmonics to a guitar. With bass, it can also give you that nice slightly saturated sound of a vintage tube amp - even when you play a solid state amp.
The Drive is the kind of device you might leave on without thinking about it, but miss dearly when you turn it off.
"THE DRIVEISA LOVELY ANALOG BOOST/OVERDRIVE PEDAL IN THE NEW 'BLUE LABEL' PEDALS SERIE THAT YOU CAN USE WITH BASS AS WELL AS GUITAR."
The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced-out ”Funkadelic” and synth-bass sounds. It is for everyone looking for a fun, fat-sounding, and responsive envelope filter that reacts to how you play in a musical way.
"THE EBS BASSIQ ‘BLUE LABEL’ENVELOPE FILTER FEATURE ENHANCED VERSATILITY AND RESPONSIVENESS. THIS IS A FUN, INSPIRING, AND MUSICAL ANALOG ENVELOPE FILTER."
The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards. The compressor hits the sweet spot between allowing for dynamic playingandcreating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.
"THE EBS MULTICOMP BLUE LABELIS AN ANALOG, HIGH-PERFORMANCE, MULTI-BAND COMPRESSOR PEDAL THAT WILL IMPROVE YOUR SOUND INSTANTLY."
The EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accuratetrackingand a fat, naturalsound. When you play your instrument, it "tracks" the note you play and produce a sound one octave below to mix in with the note you play. The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.
"THE EBS OCTABASS BLUE LABELPUSHES THE BOUNDARIES FOR WHAT HAS BEEN SEEN AS POSSIBLE WITH AN ANALOG OCTAVE EFFECT. THE QUALITY AND CHARACTER OF THE OCTAVE TONE, AS WELL AS THE PRECISION AND SPEED OF THE TRACKING, ARE OUTSTANDING."